Showing posts with label X.J. Kennedy. Show all posts
Showing posts with label X.J. Kennedy. Show all posts

Dec 4, 2009

Women in Art and Poetry



I’m not ready to abandon that nineteenth century American gallery after last week’s attempts to relate the work there to Hawthorne. I’m not sure why the idea took hold so firmly, except for my feeling that here were two contemporaries presenting rather similar portraits of similar parts of the U.S. I think I felt that each might have validated the other, and therefore I was illuminated (nothing more dangerous than an illuminated banjo—it’ll never shut up—it’s like some Jurassic Park cricket.).

So before leaving that gallery indefinitely, I want to look at a few portraits of women of that era, painted by men of that era, plus some modern poems that seem related. Then, tomorrow or very soon, I want to look at some contemporary American women poets on the subject of women. (Does the fact that they’re contemporary fatally skew the comparison?).

“Piazza DiSpagna, Early Morning” by Richard Wilbur (this is the cleanest online version I found. I’m sorry about the small print; the poem is at the bottom left of the page).

http://members.fortunecity.co.uk/kagaya_rinoa/aa/Piazza.di.Spagna,.Early.Morning.htm

“I Knew a Woman” by Theodore Roethke http://gawow.com/roethke/poems/122.html

“Nude Descending a Staircase” by X.J. Kennedy, in response to the Duchamps painting by the same title

http://www.poemtree.com/poems/NudeDescendingAStaircase.htm

By the way, I've deliberately opted against an e.e. cummings poem--he fits in all too easily. For whatever reason, these three poems popped into my mind concerning this subject--I rarely think about the Kennedy poem, but there it was, more for the title and its comparison to the Wilbur than for any other reason. What Duchamps was up to in his painting is a whole other bucket of worms, isn't it?

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Lovers' Lane