Thanks to Paula at http://dailypensacolaphoto.blogspot.com/ for tipping us off, over a week ago, to Amaud Jamaul Johnson, a poet I did not know. Here are two of my favorites so far, which seem to have at least some connection to recent posts here: the care and feeding of birds and other young, along with cruelty, and the rigors of survival in both the animal and human realms.
From the Fishouse: Amaud Jamaul Johnson: Portion Given
Aesthetics by Amaud Jamaul Johnson : The Poetry Foundation [poem] : Find Poems and Poets. Discover Poetry.
The subjects here are worth a poem, and I find the images precise, vivid, and tough; I predict they will be memorable.
Mr. Johnson reads well too--no histrionics, slow, steady pacing, and a respect for his own decisions about line and stanza breaks. These are virtues that some serious writers seem to ignore, and I don't know why.
Maybe the event that the idol worshiping majority want is a carny act, or a strip tease, or a soap opera. And someone has clued in the writers and those fawning dilettantes in the audience--but not the curmudgeons, who are present because they care about writing as an improvement upon ramshackle daily utterances delivered at breakneck speed so they can spear straight through the gizzard of what the other guy was trying to say.
Did I get carried away there? Was that excessive?
I can be fine, by the way, with carny acts and strip teases if they're well done. Soap operas, not so much. "Well-done soap opera" is a gash of oxymoron, a bucket of contradiction. It is what they listen to in Hell, where they fill a tin chalice with fava beans, cliches and phony, overwrought gestures. Then they talk and talk and talk and talk and talk and talk and talk and talk . . . .
In the small sampling I've seen so far, Amaud Jamaul Johnson, rises nicely high above that. The material invites him to descend, but he reigns it in, keeps on the high road. I'll be reading more.
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