The Meadow Mouse by Theodore Roethke at Old Poetry
Though probably not as well known or esteemed as "The Waking" or “My Papa’s Waltz,” Theodore Roethke’s “The Meadow Mouse” seems to be a favorite among his readers, and I can see why. There’s no reason to argue against the poem's content as raw ideas—essentially, sympathy for the vulnerable, the wounded, the doomed.
Also, most of the individual images are effective in conveying a sensibility that might fit both children and adults, which is an accomplishment. The inverted, archaic syntax in “sleeps the mouse” (2) is charming, and it immediately sets up a tone that could inform either a children’s tale or adult literature. But sometimes in “The Meadow Mouse,” Roethke’s language and thinking (if there’s a difference) fall too far into a youthful level of understanding and way of talking about experience.
Presumptuous as it must seem, I’d have urged Roethke to think again in a few places, most of which amount to a tendency toward sentimentality—which is, remember, not just the emotional content in a work, but an excess of emotion, feelings that have not been earned by the poem’s presentation of an experience, feelings that exceed any known cause for them, or emotionality that has not been controlled and balanced by an intellectual presence in the poem.
This is a tightrope that every poet must walk; T.S. Eliot said the right balance between heart and mind could be called “Felt Thought.” I don’t mean that we should follow Eliot because he’s Eliot, but that particular concept is a keeper. (Of course, we should feel free to reverse the words to Thought Feeling).
Well. That’s something to chew on and respond to for now. TGIF: what’s a Friday for if not poetry analysis? I’ve gone windy on the poem, so here’s TGIF-2: I’ll wait a day or two before adding some examples and additional ideas, maybe lots of them.
The Meadow Mouse by Theodore Roethke at Old Poetry
**