| Sandhill Crane: Waltzing, Drunk and Alone |
Back in the day I developed a restrained, classic,
quasi-inert, sway-and-shuffle style of slow dancing, but that was go along to
get along. Even then I found the whole activity absurd.
If dancing is foreplay for women—and several women have
affirmed that it is . . . . Actually
they said, "What did you think it was, Dumb Ass?" Interpretation: the male is required to forego his Randolph Scott dignity and fall into a foolish boogie-seizure while waiting for the female to get in touch with her animal self.
| Downy Woodpecker: The Female Idly Snacks |
Am I the only one who’s stood in astonishment as women walk
into a room with music and immediately start wiggling and wriggling, clapping hands and snapping fingers? They lapse into
exotic facial expressions, eyelids and brows squeezed into a pleasure-pain
grimace, lips curled into an ecstatic-tragic oooohhhh. . . ? I’d
as soon learn French as indulge in such antics.
So. Dancing is foreplay for women—freeing up their bodies,
feeling a rhythm, getting in a groove—while my limited, ever-ready gender is doing jumping
jacks in a wheat field.
That’s all old news, of course, so we should not be, and
maybe we no longer are, surprised that dating, courting, and mating make such a
rough ride—rolling down Rt. 66 one minute—top down, wind blowing all friendly-like—and
the next minute we’re flossing teeth or picking lint from lapels.
| Munching, not breeding |
| Red-Tail Chase |
| So Near, Yet So Far |
That was a spectacular half-hour, but it left me once again
wondering what animals are thinking and feeling. Most seem to be all about
foreplay—eternal, spectacular rituals, displays and chases, fights with rivals—for
a coupling that lasts about two seconds.